• GALLERY
    • MEMEME
    • YESNOMAYBE
    • FLUORESCENT ADOLESCENT
    • YESYESNO
    • MAGNETIC SUPERBOX
    • YESYESYES
    • WHY NOT
    • PICK A POISON
    • BEAUTY
    • TOO MUCH IS NOT ENOUGH
    • CRYSTALLINE
    • WHAT MAKES YOU LEAP
    • FOUR TO GET RICH SIX TO GET FAMOUS
    • IMAGINATIONLAND
    • LOWER THAN DEEP
    • ELECTRIC DAISY DIARY
    • METALLIC MINDS
    • SHE HIDES THE DOPE IN HER HAIR
    • NORTHERN EXPOSURE 1
    • HIGHER THAN HIGH
    • NORTHERN EXPOSURE 2
    • HAPPY PILL
  • WORKINPROGRESS
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  • MEMEME
    MEMEME is a sculptural piece exploring the formation of unique and dynamic patterns through three dimensional typographic repetition. The actual word gradually looses its meaning to become an abstract shape eventually blending into a stunning 3d pattern. The piece encourages the viewer to move inside and around it while engaging with subtle reflection.
    Fine Arts, Sculpting, Typography
    2012
  • YESNOMAYBE
    In her most recent work, Pia translates the typographic explorations of her paintings into multi layered reliefs. The large scale textual sculptures seem to have organically grown beyond the canvas, creating a lace like ornament. Letters become abstract shapes, then turn into unique patterns of complex dimension.
    Fine Arts, Graphic Design, Typography
    2012
  • FLUORESCENT ADOLESCENT
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • YESYESNO
    In her most recent work, Pia translates the typographic explorations of her paintings into multi layered reliefs. The large scale textual sculptures seem to have organically grown beyond the canvas, creating a lace like ornament. Letters become abstract shapes, then turn into unique patterns of complex dimension.
    Fine Arts, Graphic Design, Typography
    2012
  • MAGNETIC SUPERBOX
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • YESYESYES
    In her most recent work, Pia translates the typographic explorations of her paintings into multi layered reliefs. The large scale textual sculptures seem to have organically grown beyond the canvas, creating a lace like ornament. Letters become abstract shapes, then turn into unique patterns of complex dimension.
    Fine Arts, Graphic Design, Typography
    2012
  • WHY NOT
    In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context.
    Architecture, Fine Arts, Street Art
    2012
  • PICK A POISON
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • BEAUTY
    In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context.
    Architecture, Fine Arts, Street Art
    2012
  • TOO MUCH IS NOT ENOUGH
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2012
  • CRYSTALLINE
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • WHAT MAKES YOU LEAP
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • FOUR TO GET RICH SIX TO GET FAMOUS
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • IMAGINATIONLAND
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • LOWER THAN DEEP
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • ELECTRIC DAISY DIARY
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • METALLIC MINDS
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • SHE HIDES THE DOPE IN HER HAIR
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • NORTHERN EXPOSURE 1
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • HIGHER THAN HIGH
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • NORTHERN EXPOSURE 2
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
  • HAPPY PILL
    Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.

    Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.
    Fine Arts, Painting, Typography
    2011
All works © Pia Habekost 2011.
Please do not reproduce without the expressed written consent.