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MEMEME is a sculptural piece exploring the formation of unique and dynamic patterns through three dimensional typographic repetition. The actual word gradually looses its meaning to become an abstract shape eventually blending into a stunning 3d pattern. The piece encourages the viewer to move inside and around it while engaging with subtle reflection.Fine Arts, Sculpting, Typography2012 -
In her most recent work, Pia translates the typographic explorations of her paintings into multi layered reliefs. The large scale textual sculptures seem to have organically grown beyond the canvas, creating a lace like ornament. Letters become abstract shapes, then turn into unique patterns of complex dimension.Fine Arts, Graphic Design, Typography2012 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2012 -
In her most recent work, Pia translates the typographic explorations of her paintings into multi layered reliefs. The large scale textual sculptures seem to have organically grown beyond the canvas, creating a lace like ornament. Letters become abstract shapes, then turn into unique patterns of complex dimension.Fine Arts, Graphic Design, Typography2012 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2012 -
In her most recent work, Pia translates the typographic explorations of her paintings into multi layered reliefs. The large scale textual sculptures seem to have organically grown beyond the canvas, creating a lace like ornament. Letters become abstract shapes, then turn into unique patterns of complex dimension.Fine Arts, Graphic Design, Typography2012 -
In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context.Architecture, Fine Arts, Street Art2012 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2012 -
In her most recent work, Pia Habekost collaborates with adNAU's Tino Schaedler to translate the typographic explorations of her paintings into large scale urban sculptures nestled between street art and site specific land art. The sculptures are woven into surfaces of existing architecture like 3d graffiti. Through subtraction and addition, the typographic swarms oscillate between ornament and built form transforming its context.Architecture, Fine Arts, Street Art2012 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2012 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011 -
Pia Habekost explores the duality of typography as abstract ornament versus actual meaning. Informed by instances of personal experience to current events in urban culture, her typographic formations address topics of sampling, interconnection, and remixed narrative.
Originally from Berlin, Pia last worked as an architect for Zaha Hadid in London and the multi-disciplinary collective NAU. She currently lives and works in Downtown Los Angeles.Fine Arts, Painting, Typography2011
All works © Pia Habekost 2011.
Please do not reproduce without the expressed written consent.
Please do not reproduce without the expressed written consent.
